You are hereEP Review: Lau Vs Karine Polwart - Evergreen (Self Release)

EP Review: Lau Vs Karine Polwart - Evergreen (Self Release)


By Allan Wilkinson - Posted on 28 April 2010

If like me, you were always convinced that Lau was a perfectly formed entity, comprising of three outstanding musicians; one who provides a distinctively fluid fiddle sound, another whose dual role is to provide the robust bottom end as well as throwing in the occasional discordant flight of fancy, that often leaves your jaw on the carpet, and last but certainly not least, the guitarist who alternates between 'sensitive' to 'exhaustingly rhythmic' in a hair's breadth and who also provides the band with its lone voice.. then think again. There was something apparently absent from the overall sound of the band and we didn't realise it. The addition of a female voice was the 'missing' ingredient and for this splendid EP, we can rejoice in the now perfect circle.

 

 

Okay, calm down. To be honest up until recently I was never a fan of the 'EP' generally, as a product, much preferring to lose myself in at least an hour's worth of music, rather than just a sample. EVERGREEN gives us just over twenty minutes of excellent music, long enough to keep our full attention and not too long to warrant including fill-in tracks. It's an indication that there are still smart minds operating in the folk world and this collaboration, like all the other collaborative projects Karine gets involved in, works tremendously well.

 

The title song is a Polwart original, with an arrangement credit for the rest of the band; a true collaborative effort. The other four performances are well chosen adaptations of contemporary songs by other acclaimed writers. Lal Waterson's songs, like Van Gogh's paintings, were seemingly only understood and appreciated by a few and like Theo Van Gogh, certainly by members of her own family. Then in light of her sad passing in 1998, a whole new awakening occurred and her songs have now been celebrated by many and are now being rewarded with the attention they deserve. Midnight Feast is nothing short of stunning and Kris Drever delivers a faithfully sensitive version of the song here.

 

No one does 'bleak' quite like The Unthanks, but Karine Polwart and Lau manage an almost Hardy-esque arrangement on Dave Goulder's January Man, featuring a vocal duet between Polwart and Drever. If there's a necessary need to escape bleakness, look no further than Blue Nile's feel good and optimistic From Rags to Riches, which has a sprightly plucked-violin jauntiness about it, which celebrates being in love, albeit with just a particular feeling together with a wild sky.

 

Lord Yester goes back to The Corries days, when the Peebles baker George Weir would provide Roy Williamson with gems of contemporary folk songs, that sound very much as if they came from the tradition. If you like Karine Polwart, you'll love this, if you like Lau and you were thinking of buying this, in Kris Drever's words (and spoken in a rich Orkney accent here..) 'you'll need to.'

 

Allan Wilkinson

Northern Sky

 


See also...

Audio Interview

Northern Sky had a chat with Lau before their headlining appearance at the Barnsley Acoustic Roots Festival. 
Allan Wilkinson
21 March 2010 - 4:00pm
Northern Sky had a quick chat with singer and multi-instrumentalist Kris Drever on St Valentine's Day 2010, about the imminent release of his second solo album MARK THE HARD EARTH.  
Allan Wilkinson
14 February 2010 - 5:31pm

Review

The Thornensians Rugby Union Club played host to the second in a series of folk concerts in Thorne on the outskirts of Doncaster tonight as the town once again tried its hand at bringing major folk acts to local ears without having them venture too far out of town. Still very much in its infancy as a folk music venue, the club once again experimented with how best to position the stage area in the clubhouse for instance, it being arranged slightly differently from the first night back in October, which featured guests Heidi Talbot, Boo Hewerdine and John McCusker. Coincidentally the second in this series was also the second gig in Kris Drever's current 'solo' tour, solo that is apart from his current touring partner, multi-instrumentalist Anna Massie, explaining earlier that he's "not in love with being a solo artist, it's kind of lonely and there's nay craic." Well if you're going to invite someone along to help with the 'craic', look no further than Anna...
Allan Wilkinson
8 April 2010 - 11:00pm
If there's one thing that irritates Kris Drever, it has to be the Weatherman. Rejoicing in the wind and the rain, Kris Drever opens his new solo album, the eagerly awaited follow up to BLACK WATER, with the sole self-penned song on the record that also incidentally provides the album its title, MARK THE HARD EARTH. Kris believes that we are manipulated into believing that inclement weather is a bad thing and that we might just be missing out on something rather nice, despite the sullen apologies we hear each day from the grim weather reaper. As Bill Bryson once noted: British people looking out of their windows each morning saying 'oh, look at all that rain' is rather like Eskimos looking out of their igloos and saying 'oh, look at all that snow!'  Kris doesn't like being told that rain is bad by the people who work on the telly: "'Oh I'm afraid it's raining tomorrow' - why are you afraid? Why don't you put on some decent clothes you arsehole."...
Allan Wilkinson
17 February 2010 - 12:00am

See also...

Audio Interview

Review